“Perhaps It’s Time…” New Song.

As some of you will know, I’m working on putting out a new album in the near future, once I’ve solved some equipment issues on my end. In the meantime, here’s one of the tracks, “Perhaps It’s Time…”

Lyrics:

Pity the children left behind

born at the top of a steep incline

gifted the slagheap that we designed

told we were justified.

They’ll play on grass we paved as we tell them to act their age

but perhaps it’s us who need to change

Think of the leaders, through whose fingers

promise slipped when ego lingered

so content to leave the world

unbalanced and uncertain

Think of the chosen ones who stand

in wings and leave the stage unmanned

caught in history’s remand

beneath the velvet curtain

Pleasure is the game we close our eyes to play

So perhaps it’s time we make a change

We shake ourselves from childish stares

extolling the virtue of a world unfair

the cold of the cynic is all the rage

perhaps it’s time we make a change

 

To be content seems quaint when all of this remains

put distraction down and make a change.

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Pete Townshend Strat Update!

sjm-l-oslsun-0813-18You don’t have to go any further than this very blog to know Pete changes his stage setup frequently, but recent times have brought a simple, unusual change to Pete’s stage guitars.

At the Outside Lands festival (perhaps earlier), Pete was sporting a series of his usual Strats, with a new feature.

Above the piezo volume knob behind the trem system, his Strats now feature an emory board, on which Pete can be seen sharpening his pick during the set!

 

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Roger Waters’ Black Fender Stratocaster

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During the “Us and Them” Tour, Roger has been playing what appears to be a vintage Fender Stratocaster on a few tracks. There isn’t much information online, but it’s clearly a well-worn instrument, which if it’s a genuine Fender, suggests either a custom shop model or a real vintage instrument. There doesn’t seem to be a CS logo in pictures, so my bet would be on the latter.

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The small headstock and Transition logo suggest a 60’s instrument, earlier than the large headstock came in (very late ’65). To my knowledge, Fender don’t produce anything like this guitar at the moment.

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UPDATE 10/10/2017

Gus Seyfert, who worked on “Is This The Life We Really Want”, and toured on the “Us and Them” tour with Roger, often posts gear pictures on his Instagram page.

https://www.instagram.com/gusseyffert/?hl=en

It would seem that both this Stratocaster and the interesting bass I posted about a little while ago belong to him.

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Roger Waters studio bass*

IF you are enough of a Roger Waters fan to be reading this filler post, you might want to head over to @deadskinboy on instagram and follow his profile. He often posts fantastic, intimate and detailed pictures of Roger, which I gather he takes himself.

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I wont post too much from his account, because it’s not mine to use, but he did post an image recently which piqued my interest, which I thought I’d share.

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This is Roger, apparently in the studio, playing a bass which has been previously unseen in connection with him. No reason to assume it’s his, but for a gearhead, it’s certainly an interesting change. Perhaps he is taking a step away from the sound of the Duncan quarter-pounders in his original Precision, or perhaps this is an occasion of convenience. Time will tell!

Mike Oldfield’s Pink Fender Stratocaster

strat_1961_1Frequently spoken of by the man as his favourite guitar, Mike Oldfield owned this Strat from 1984 to 2007.

It is a 1963 Strat, serial number L08044, in fiesta red (visibly a very pink looking red, perhaps due to finish fading, perhaps due to a non-factory refinish either before or after original sale) over sunburst. During the time it was owned by Mike, it was used on 15 albums, and consistently for live work and music videos as well.

Mike has been known to use modified guitars (his 1959 sunburst Strat has an extra two way switch between the original pickup selector switch and the middle tone, a common mod for extra pickup combinations), But it seems from pictorial evidence that this is a completely stock Stratocaster, with the exception of the fact that the volume knob has apparently been exchanged for one of the tone knobs, perhaps because the numbers have worn off the volume.

It was reportedly last used during rehearsals for the 2006 Night of the Proms in Antwerp (this is borne out by photographs of these rehearsals), before it was sold via Chandler guitars to a fan for 30,000 pounds.

The pictures below are in chronological order, and show that the Strat picked up a little more cosmetic damage while in regular use by Mike. More pictures are available at http://tubular.net/instruments/

 

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“To France” video, 1984

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“Tricks of the Light” video, 1984

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“Tricks of the Light” video, 1984

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“Tubular Bells II” Premiere, 1992

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“Tubular Bells II” premiere, 1992

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“Tubular Bells III” premiere, 1998

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“The Millennium Bell” Premiere, 1999

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Night of the Proms rehearsals, 2006

 

Instagram

My new album “Flowers” will be coming out shortly, and as the process nears an end, you can follow my Instagram page for some sneak peeks and updates. Not to mention a lot of other content to compliment the material on this blog.

Shortly releasing my new album "Flowers". Here's a quick sample! #flowers #newrelease #guitar #slide

A post shared by Thomas Williams (@thomaswilliamsmusic) on

Pete Townshend’s Guitars at Desert Trip

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I’ve talked about Pete’s Lace Sensor Stratocasters before, but this year has marked a more substantial change up in his guitars than we’ve seen for about twenty five years!

Gibson recently reissued a Pete Townshend signature Les Paul deluxe, and Pete has been playing one of these onstage, fitted with two Gibson mini-humbuckers and a piezo acoustic pickup.

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Even more interesting however, according to the official tour blog, in early September, Pete received some new Strats!

“Pete now has a pair of new Fender Stratocasters made with Gibson “mini-humbucker” pickups, the pickups he used throughout the 1970s. This gives his modern Stratocaster style has a bit more of that old WHO sound. In the olden days, Gibsons were naturally heavier and nastier than Fender guitars, but modern electronics have made Pete’s current Fenders superstrong, and wide-ranging beasts. He has a dozen sounds he gets from just working the guitar itself. He’s also been a proponent of an “acoustic” sound from the guitar; his electric guitars have a special pickup that simulates the strummy sound of an acoustic guitar. He likes to mix the two quite often, and has had this setup for many years now. It’s a unique thing that almost no one else is doing consistently.”*

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*You can read the blog at https://www.thewho.com/september-11-2016-oberhausen-arena-hall-oberhausen-germany/