Guitar of the Day 05/11/2015

img-0529Elvis Costello’s Red Stratocaster.

Elvis bought this Strat shortly before the filming of the “Oliver’s Army” videoclip, in which the guitar appears. He would go on to use it live and on stage often over the rest of his career up to the present date.

It is a 1961 Fender Stratocaster in Dakota red (over either an original white finish, or a white primer) with a matching red headstock, maple neck with skunk-stripe and a presumably non-original brass nut.

According to Elvis’ brilliant autobiography, Unfaithful Music and Disappearing Ink, the guitar was “Impulsively bought on Forty-eighth street [Manhattan]… With my first ever credit card after two or three too many martinis at lunchtime.” before guesting onstage that evening with Richard Hell and the Voidoids at CBGB’s, Photos of the gig and backstage were taken by Roberta Bayley, and some can be seen below.


Elvis Backstage at CBGB’s, preparing to join Richard Hell and the Voidoids onstage on the very day this guitar was first purchased!

Notably Elvis would choose this instrument as his solo accompaniment for his appearance at Live Aid in 1985.


Singing Richard Hell’s”You Gotta Lose” with the Voidoids at CBGB’s.


Backstage at CBGB’s with the Voidoids.

Elvis Costello performing on stage.

Elvis Performing “All You Need is Love” at Live Aid.


The reverse of the guitar as seen during the “Spectacular Spinning Songbook” tour.


Guitar of the Day 17/09/2015

Eric Clapton’s “Gold Leaf” Stratocaster.

0f23363e27ba4169781f42cd6bac7774On the advent of Fender’s 50th anniversary in 1996, the company called Eric Clapton and asked if he wanted anything special to mark the occasion. He asked for a gold leaf strat, with 23 carat gold hardware (as well as his usual lace sensor gold pickups). In May of that year, Fender delivered.
The guitar can be seen at the “Music for Montserrat” concert, which featured Sting, Mark Knopfler, Paul McCartney and Elton John, as well as Eric. It also went on to be the main guitar on Clapton’s 1997 tour of Korea and Japan, and the main guitar on his 13th studio album Pilgrim (1998).

It is also interesting to note that following his use of this guitar on the slide parts on the Pilgrim album, Eric continued to use lace sensor gold-equipped strats for slide parts live and on record, even following his switch to Fender noiseless pickups in his personal and signature models. This remained the case until 2010, when his slide guitars were changed to Fender Noiseless as well.

 Strat_-_Gold_Leaf_-_4_Dec_2001_Japan_Shinichiro_YoshinoClapton Gold Leaf Stratocaster DSC00141 LW

Guitar of the Day 15/09/2015

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Not a guitar of huge historical significance, but an interesting curio. The Fender Custom Shop has, on occasion, offered the Eric Clapton signature Stratocaster in Mercedes blue, to match the colour of Eric’s car (a practice he often requests). He played one himself for a period in the 90’s including for the majority of the “Live in Hyde Park” DVD.

This colour has been offered for versions of the EC Strat with both Lace Sensors and Fender noiseless pickups.

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Pete Townshend’s Lace Sensor Stratocasters

The history of the modifications leading up to Pete’s present setup is not a simple one,  but in short, as it stands at the moment, almost all of Pete’s Strats are equipped with Gold Lace Sensors, “Eric Clapton” electronics such as the TBX tone control, midboost and preamp, and Fishman electronics to allow an acoustic output as well, by means of a splitter box, DI and stereo cables. Unless noted, all the Strats below seem to have the aforementioned electronics, a two point Fishman Powerbridge tremolo (with acoustic pickup capabilities, controlled by an extra volume knob behind the bridge) and Sperzel locking Tuners.

– More info is available at the fantastic ‘whotabs’ site at

I had previously been under the impression that any Guitar with the Clapton Signature on the headstock was a Clapton and any without it was a Strat Plus. However, in an excellent recent article by* which includes an interview with Pete’s tech Alan Rogan, the author seems to claim that ALL Pete’s guitars are Claptons, but the signature has been removed from the headstocks. This seems unlikely, since most are in colours the Clapton was never offered in, and since Rogan has stated that some of Pete’s Strats are custom made by Fender.

I have listed the Strats in no particular order and please note that although some are numbered in the images, Pete changes the numbering between tours, perhaps even between shows. It’s also possible, if not probable, that some of these guitars (or parts thereof) may appear more than once in the list, their specs having been changed between tours.

1. Number one is an olympic white Strat with no Clapton signature, ivory coloured pickup covers and a 3 ply white pickguard. Shown here as seen live in 2007.

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2. Number two is an olympic white Fender Strat Plus with very similar specs as number 1, but with a single ply pickguard.

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3. Number three is a torino red Strat Plus with white pickup covers and knobs on a Mint Green pickguard. Shown here as seen live in 2007. This would seem to be the Strat Pete used on “Won’t Get Fooled Again” at Live 8.

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4. Number four is a torino red Clapton Signature with white pickup covers and knobs on a Parchment pickguard. Shown here as seen live in 2007 and 2015 (last image)

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5. Number five is a torino red Clapton signature. Shown here as seen live in 2007. Unless he has duplicates (and this is entirely possible) This would seem to be the Strat Pete used   at the Superbowl XLIV halftime show and for “Who Are You” at Live 8.

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6. Number six is a Candy Apple Red Strat with no Clapton signature and a single ply pickguard. Shown here as seen live in 2007.

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As a side note, Pete played a Candy red Strat like this with unusual fret markers in Feb of 2013. As far as I’m aware, there is only photographic evidence from one gig, so if anyone has information on this neck, I’d love to hear it! It seems the guitar either had extra markers inlaid or attached to the fretboard or an entirely new neck installed.


7. Is an olympic white Strat Plus, very similar to number one, but with distinct white pickup covers. Shown here as seen live in 2007.

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8. Number eight is an olympic white Clapton signature, with no fishman electronics (so no extra volume knob behind the bridge), standard vintage style gotoh tuners and a Kahler tremolo system with locking nut. Shown here as seen live in 1996 on the Quadrophenia tour for “The Rock” and “Love, Reign O’er Me.”

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9. Number nine is an olympic white Clapton signature, but with the pickguard modified to suit a large tremolo system. This could well be either the same guitar as number 8, with a new neck fitted and the Kahler removed and fishman electronics added, or perhaps the pickguard assembly from 8 refitted into another guitar. Shown here as seen live in 1999.

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10. Number ten is a torino red Clapton signature, with cream pickup covers and what looks to be a Fishman VS-50P Powerbridge which I have not seen on any of Pete’s other guitars. Shown here as seen live in 1999.

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11. Number 11 is a torino red Clapton kitted out the same as number 8, with a Kahler trem and locking nut and no fishman electrics. (Images from 1989, found at at the address listed earlier in this article).

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12. Number twelve is a Clapton signature, but similar to number nine, it has a modified pickguard for a larger trem. It seems likely that this guitar is a later version of number 11 (or parts of it). If this is true, eight and eleven may well have become nine and twelve respectively, following the same changes. Shown as seen live in 1999.


13. Number thirteen is a shoreline gold Strat with no Clapton signature. Shown as seen live in 1999 and (in the third image) 2007, this guitar seems to have picked up a very distinctive ding in the paint on the tip of the lower horn.


14. Fourteen is a Candy Apple Red Strat with no Clapton signature, distinguishable from number six by a three ply pickguard. This guitar seems to have been Pete’s favourite on the 2012/13 “Quadrophenia and More” tour and can be seen throughout the DVD.


15. Fifteen is a black Strat with no Clapton signature. Used rarely on the 2007 tour, it features heavily in the 2012/13 “Quadrophenia and More” tuned to Eb. According to the guitar-bass interview with Alan Rogan, this guitar dates to 1992.

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16. Sixteen is an Aztec Gold Strat with no Clapton signature and a 3 ply pickguard.


17. Seventeen is an Aztec Gold Strat with no Clapton signature. It differs from 16 in that it has a single ply pickguard, and seems to be the only one of Pete’s Strats to feature Gold Sperzel tuners.

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18. Now used by Simon on tour, Pete previously (still?) owned this Clapton Strat with two P90’s and Fishman acoustic setup. I had been under the impression this one was refinished either to or from sunburst, since I’d seen both and it’s an uncommon mod, but at the Oxegen gig in 2006, Simon was seen using the sunburst P90 strat, with the black one by his side as a spare 3rd and 4th pictures)



19. Though likely not strictly one of Pete’s guitars (it doesn’t have the fishman modification knob behind the bridge), Roger was seen in 2007 playing a similar Pewter Clapton Signature with Gold Lace Sensors on “Eminence Front”.

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Guitar of the Day 7/4/2013


George Harrison’s Rosewood telecaster.

This guitar is built entirely from rosewood except for a thin maple ‘sandwich’ piece in the middle of the body.

Made specifically for George by Fender, this guitar was used extensively on the ‘Let it Be’ album and and film. George would later give it to Delaney Bramlett of ‘Bonnie and Delaney’ after touring with them.