Joe Walsh’s All-Rosewood Neck Stratocaster


Joe Walsh has often been seen with this instrument. It has toured with him and the Eagles, and perhaps most infamously, was his guitar of choice for the “Strat Pack” concert at Wembley, an event to mark the 50th anniversary of the Stratocaster in 2004.

Rumours about this Strat abound on the internet, but Alan Rogan, guitar tech to Joe, Pete Townshend, George Harrison, and the Rolling Stones among many, was stage manager for the Strat Pack concert, and gave an interview to Guitar and Bass Classics magazine, where the had this to say about the Strat:

“Joe likes the sound that rosewood gives… It’s very different from the usual maple. It’s really hard, so I had it refretted with Joe’s preferred frets, which are higher than normal so he can get under the string.

At first we had the neck on a ’54 reissue body, but now he’s put it on an Eric Clapton body and it’ll probably stay there, because it’s really working out. It’s from the Fender custom shop, and the pickups are noiseless.”

So there you are. For those still wondering about the origin of the instrument, it is a Rosewood neck from a ’54 reissue (something like the one pictured below), on a Clapton body.

Rosewood Neck Jason Smith MB full casevlcsnap-2017-08-20-22h05m11s164


Pete Townshend’s Guitars at Desert Trip


I’ve talked about Pete’s Lace Sensor Stratocasters before, but this year has marked a more substantial change up in his guitars than we’ve seen for about twenty five years!

Gibson recently reissued a Pete Townshend signature Les Paul deluxe, and Pete has been playing one of these onstage, fitted with two Gibson mini-humbuckers and a piezo acoustic pickup.




Even more interesting however, according to the official tour blog, in early September, Pete received some new Strats!

“Pete now has a pair of new Fender Stratocasters made with Gibson “mini-humbucker” pickups, the pickups he used throughout the 1970s. This gives his modern Stratocaster style has a bit more of that old WHO sound. In the olden days, Gibsons were naturally heavier and nastier than Fender guitars, but modern electronics have made Pete’s current Fenders superstrong, and wide-ranging beasts. He has a dozen sounds he gets from just working the guitar itself. He’s also been a proponent of an “acoustic” sound from the guitar; his electric guitars have a special pickup that simulates the strummy sound of an acoustic guitar. He likes to mix the two quite often, and has had this setup for many years now. It’s a unique thing that almost no one else is doing consistently.”*


*You can read the blog at

Guitar of the Day 17/09/2015

Eric Clapton’s “Gold Leaf” Stratocaster.

0f23363e27ba4169781f42cd6bac7774On the advent of Fender’s 50th anniversary in 1996, the company called Eric Clapton and asked if he wanted anything special to mark the occasion. He asked for a gold leaf strat, with 23 carat gold hardware (as well as his usual lace sensor gold pickups). In May of that year, Fender delivered.
The guitar can be seen at the “Music for Montserrat” concert, which featured Sting, Mark Knopfler, Paul McCartney and Elton John, as well as Eric. It also went on to be the main guitar on Clapton’s 1997 tour of Korea and Japan, and the main guitar on his 13th studio album Pilgrim (1998).

It is also interesting to note that following his use of this guitar on the slide parts on the Pilgrim album, Eric continued to use lace sensor gold-equipped strats for slide parts live and on record, even following his switch to Fender noiseless pickups in his personal and signature models. This remained the case until 2010, when his slide guitars were changed to Fender Noiseless as well.

 Strat_-_Gold_Leaf_-_4_Dec_2001_Japan_Shinichiro_YoshinoClapton Gold Leaf Stratocaster DSC00141 LW

Pete Townshend’s Lace Sensor Stratocasters

The history of the modifications leading up to Pete’s present setup is not a simple one,  but in short, as it stands at the moment, almost all of Pete’s Strats are equipped with Gold Lace Sensors, “Eric Clapton” electronics such as the TBX tone control, midboost and preamp, and Fishman electronics to allow an acoustic output as well, by means of a splitter box, DI and stereo cables. Unless noted, all the Strats below seem to have the aforementioned electronics, a two point Fishman Powerbridge tremolo (with acoustic pickup capabilities, controlled by an extra volume knob behind the bridge) and Sperzel locking Tuners.

– More info is available at the fantastic ‘whotabs’ site at

I had previously been under the impression that any Guitar with the Clapton Signature on the headstock was a Clapton and any without it was a Strat Plus. However, in an excellent recent article by* which includes an interview with Pete’s tech Alan Rogan, the author seems to claim that ALL Pete’s guitars are Claptons, but the signature has been removed from the headstocks. This seems unlikely, since most are in colours the Clapton was never offered in, and since Rogan has stated that some of Pete’s Strats are custom made by Fender.

I have listed the Strats in no particular order and please note that although some are numbered in the images, Pete changes the numbering between tours, perhaps even between shows. It’s also possible, if not probable, that some of these guitars (or parts thereof) may appear more than once in the list, their specs having been changed between tours.

1. Number one is an olympic white Strat with no Clapton signature, ivory coloured pickup covers and a 3 ply white pickguard. Shown here as seen live in 2007.

1VintageWhiteStratDeluxeIvoryPickups1 1VintageWhiteStratDeluxeIvoryPickups2 1VintageWhiteStratDeluxeIvoryPickups3

2. Number two is an olympic white Fender Strat Plus with very similar specs as number 1, but with a single ply pickguard.

2VintageWhiteStratDeluxeIvoryPickups50sPG2 2VintageWhiteStratDeluxeIvoryPickups50sPG1

3. Number three is a torino red Strat Plus with white pickup covers and knobs on a Mint Green pickguard. Shown here as seen live in 2007. This would seem to be the Strat Pete used on “Won’t Get Fooled Again” at Live 8.

3TorinoRedStratDeluxeWhitePickupsKnobsMintGuard1  3TorinoRedStratDeluxeWhitePickupsKnobsMintGuard3 Pete_Townshend_2007

4. Number four is a torino red Clapton Signature with white pickup covers and knobs on a Parchment pickguard. Shown here as seen live in 2007 and 2015 (last image)

4TorinoRedClaptonWhitePupsKNobsParchmentGuard2 4TorinoRedClaptonWhitePupsKNobsParchmentGuard3 4TorinoRedClaptonWhitePupsKNobsParchmentGuard4vlcsnap-2016-02-06-00h40m40s55

5. Number five is a torino red Clapton signature. Shown here as seen live in 2007. Unless he has duplicates (and this is entirely possible) This would seem to be the Strat Pete used   at the Superbowl XLIV halftime show and for “Who Are You” at Live 8.

vlcsnap-2016-02-03-01h15m53s795TorinoRedClaptonWhitePups1 5TorinoRedClaptonWhitePups2vlcsnap-2016-02-03-01h24m55s100

6. Number six is a Candy Apple Red Strat with no Clapton signature and a single ply pickguard. Shown here as seen live in 2007.

6CandyRedStratDeluxeWhitePickups1 6CandyRedStratDeluxeWhitePickups2

As a side note, Pete played a Candy red Strat like this with unusual fret markers in Feb of 2013. As far as I’m aware, there is only photographic evidence from one gig, so if anyone has information on this neck, I’d love to hear it! It seems the guitar either had extra markers inlaid or attached to the fretboard or an entirely new neck installed.


7. Is an olympic white Strat Plus, very similar to number one, but with distinct white pickup covers. Shown here as seen live in 2007.

7VintageWhiteStratDeluxeWhitePickups27VintageWhiteStratDeluxeWhitePickups1 7VintageWhiteStratDeluxeWhitePickups3

8. Number eight is an olympic white Clapton signature, with no fishman electronics (so no extra volume knob behind the bridge), standard vintage style gotoh tuners and a Kahler tremolo system with locking nut. Shown here as seen live in 1996 on the Quadrophenia tour for “The Rock” and “Love, Reign O’er Me.”

8VintageWhiteClapton60sGuardKahlerNoPiezo1 8VintageWhiteClapton60sGuardKahlerNoPiezo2

9. Number nine is an olympic white Clapton signature, but with the pickguard modified to suit a large tremolo system. This could well be either the same guitar as number 8, with a new neck fitted and the Kahler removed and fishman electronics added, or perhaps the pickguard assembly from 8 refitted into another guitar. Shown here as seen live in 1999.

9VintageWhiteClapton60sModified cutouotGuard

10. Number ten is a torino red Clapton signature, with cream pickup covers and what looks to be a Fishman VS-50P Powerbridge which I have not seen on any of Pete’s other guitars. Shown here as seen live in 1999.

10TorinoRedClaptonCreamPupsFishmanBridge1 10TorinoRedClaptonCreamPupsFishmanBridge2 10TorinoRedClaptonCreamPupsFishmanBridge3

11. Number 11 is a torino red Clapton kitted out the same as number 8, with a Kahler trem and locking nut and no fishman electrics. (Images from 1989, found at at the address listed earlier in this article).

89_ecstrat 89_fender_ecstrat-windmill

12. Number twelve is a Clapton signature, but similar to number nine, it has a modified pickguard for a larger trem. It seems likely that this guitar is a later version of number 11 (or parts of it). If this is true, eight and eleven may well have become nine and twelve respectively, following the same changes. Shown as seen live in 1999.


13. Number thirteen is a shoreline gold Strat with no Clapton signature. Shown as seen live in 1999 and (in the third image) 2007, this guitar seems to have picked up a very distinctive ding in the paint on the tip of the lower horn.


14. Fourteen is a Candy Apple Red Strat with no Clapton signature, distinguishable from number six by a three ply pickguard. This guitar seems to have been Pete’s favourite on the 2012/13 “Quadrophenia and More” tour and can be seen throughout the DVD.


15. Fifteen is a black Strat with no Clapton signature. Used rarely on the 2007 tour, it features heavily in the 2012/13 “Quadrophenia and More” tuned to Eb. According to the guitar-bass interview with Alan Rogan, this guitar dates to 1992.

15BlackStratDeluxe1 15BlackStratDeluxe2 15BlackStratDeluxe3

16. Sixteen is an Aztec Gold Strat with no Clapton signature and a 3 ply pickguard.


17. Seventeen is an Aztec Gold Strat with no Clapton signature. It differs from 16 in that it has a single ply pickguard, and seems to be the only one of Pete’s Strats to feature Gold Sperzel tuners.

16AztecGoldGoldSperzels1 16AztecGoldGoldSperzels2

18. Now used by Simon on tour, Pete previously (still?) owned this Clapton Strat with two P90’s and Fishman acoustic setup. I had been under the impression this one was refinished either to or from sunburst, since I’d seen both and it’s an uncommon mod, but at the Oxegen gig in 2006, Simon was seen using the sunburst P90 strat, with the black one by his side as a spare 3rd and 4th pictures)



19. Though likely not strictly one of Pete’s guitars (it doesn’t have the fishman modification knob behind the bridge), Roger was seen in 2007 playing a similar Pewter Clapton Signature with Gold Lace Sensors on “Eminence Front”.

RogerPewter1 RogerPewter2