“Smile”

In a world where being a consumer

Is more important than being a thinker

 

Where a smile sells

And a heart sits on the shelf

 

When appearance is everything

Changing one’s mind becomes an admission of something unsavoury

The shame of having not known everything before

 

One must protect one’s own perfection

One must retain imperfection to hide from it

 

We devolve to prove we are not animals

We sink continents to keep ourselves afloat

 

We elect to stick to our guns

Even when they are pointed back at us

 

Smile

We Look To The Stars

It wasn’t always like this.

There used to be more.

Sometime far from the beginning, creation, seemingly too curious to be satisfied with mere existence, begat self-conception.

The same lifeless stardust, the same burning energy of infinity coalesced into the white-hot presence of life itself. And for a while, everything moved in the wake of our significance.

But, forever true to form, things change.

Whether by decree or by some unconscious turning of the tides of minds, substance seemed to fall from favour. Insatiable hunger became the impetus for instant gratification, to the detriment of all else. A waste of time. A waste of life.

And, as greed and ignorance formed an enviable bond, there was a moment felt around the world. The passing of something.

We shun empathy, unwilling to entertain the concept of equal ground at the expense of the possibility of being the victor. We find it’s hard to listen when we’ve got so much to preach.

After all this time, still we allow ourselves to be overtaken by the mad desire to beat the rest at the human race.

So now, tired of what we’ve made for ourselves here, we turn from introspection to escapism.

Every civilisation in history has turned to the stars in longing.

But whereas we used to look for meaning, now we yearn for release from the prison we built ourselves, trying to make a home.

Still we dream our dreams like boys as we look out to stars on the outer reaches of observable space. Blessed, as we are, with reflections of their past lives. Long gone now, but preserved for us by the lethargy of light within the context of forever.

And as we look upon those stars, we see ourselves. Long since dead by our own hands. Preserved for time being as the amusement of a universe made conscious. An ironic embodiment of self-awareness.

And we still cry at night, instead of making any change at all.

 

“Puppet Boy” single

Finally decided on a video for my new single “Puppet Boy”.

You can watch it here, and stream free or download for $1

at https://www.reverbnation.com/thomaswilliams7/song/27432620-puppet-boy

Moving as if in a trance
the puppet began to dance
moving his mouth to the things they said,
carving their name in his wooden head.
lifted by golden rings
soft, caressing strings
and so the puppet boy sang the words from the wings

You got lucky
Little Puppet Boy
And you owe it to us
Little Puppet Boy

Nothing more than a mask
the puppet never turns to ask
all of the things that fill his head
the reason or rhyme of the things he said
and fearing his release
severed, broken strings
Still the puppet boy sings the words from the wings.

He fears his release, above other things.
The impotence brought on by broken strings.
So under his spotlight,
the puppet boy opines
spouting words his wooden hands could never write.

You got lucky
Little Puppet Boy
And you owe it to us
Little Puppet Boy
You’re a superstar
Little Puppet Boy
you’re the new sensation
Little Puppet Boy

Roger Waters studio bass*

IF you are enough of a Roger Waters fan to be reading this filler post, you might want to head over to @deadskinboy on instagram and follow his profile. He often posts fantastic, intimate and detailed pictures of Roger, which I gather he takes himself.

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I wont post too much from his account, because it’s not mine to use, but he did post an image recently which piqued my interest, which I thought I’d share.

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This is Roger, apparently in the studio, playing a bass which has been previously unseen in connection with him. No reason to assume it’s his, but for a gearhead, it’s certainly an interesting change. Perhaps he is taking a step away from the sound of the Duncan quarter-pounders in his original Precision, or perhaps this is an occasion of convenience. Time will tell!

Mike Oldfield’s Pink Fender Stratocaster

strat_1961_1Frequently spoken of by the man as his favourite guitar, Mike Oldfield owned this Strat from 1984 to 2007.

It is a 1963 Strat, serial number L08044, in fiesta red (visibly a very pink looking red, perhaps due to finish fading, perhaps due to a non-factory refinish either before or after original sale) over sunburst. During the time it was owned by Mike, it was used on 15 albums, and consistently for live work and music videos as well.

Mike has been known to use modified guitars (his 1959 sunburst Strat has an extra two way switch between the original pickup selector switch and the middle tone, a common mod for extra pickup combinations), But it seems from pictorial evidence that this is a completely stock Stratocaster, with the exception of the fact that the volume knob has apparently been exchanged for one of the tone knobs, perhaps because the numbers have worn off the volume.

It was reportedly last used during rehearsals for the 2006 Night of the Proms in Antwerp (this is borne out by photographs of these rehearsals), before it was sold via Chandler guitars to a fan for 30,000 pounds.

The pictures below are in chronological order, and show that the Strat picked up a little more cosmetic damage while in regular use by Mike. More pictures are available at http://tubular.net/instruments/

 

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“To France” video, 1984

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“Tricks of the Light” video, 1984

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“Tricks of the Light” video, 1984

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“Tubular Bells II” Premiere, 1992

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“Tubular Bells II” premiere, 1992

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“Tubular Bells III” premiere, 1998

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“The Millennium Bell” Premiere, 1999

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Night of the Proms rehearsals, 2006

 

Instagram

My new album “Flowers” will be coming out shortly, and as the process nears an end, you can follow my Instagram page for some sneak peeks and updates. Not to mention a lot of other content to compliment the material on this blog.

Shortly releasing my new album "Flowers". Here's a quick sample! #flowers #newrelease #guitar #slide

A post shared by Thomas Williams (@thomaswilliamsmusic) on

Pete Townshend’s Guitars at Desert Trip

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I’ve talked about Pete’s Lace Sensor Stratocasters before, but this year has marked a more substantial change up in his guitars than we’ve seen for about twenty five years!

Gibson recently reissued a Pete Townshend signature Les Paul deluxe, and Pete has been playing one of these onstage, fitted with two Gibson mini-humbuckers and a piezo acoustic pickup.

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Even more interesting however, according to the official tour blog, in early September, Pete received some new Strats!

“Pete now has a pair of new Fender Stratocasters made with Gibson “mini-humbucker” pickups, the pickups he used throughout the 1970s. This gives his modern Stratocaster style has a bit more of that old WHO sound. In the olden days, Gibsons were naturally heavier and nastier than Fender guitars, but modern electronics have made Pete’s current Fenders superstrong, and wide-ranging beasts. He has a dozen sounds he gets from just working the guitar itself. He’s also been a proponent of an “acoustic” sound from the guitar; his electric guitars have a special pickup that simulates the strummy sound of an acoustic guitar. He likes to mix the two quite often, and has had this setup for many years now. It’s a unique thing that almost no one else is doing consistently.”*

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*You can read the blog at https://www.thewho.com/september-11-2016-oberhausen-arena-hall-oberhausen-germany/